Sanktuarium / Sanctuary is Anna Sztwiertnia’s first solo exhibition at a public cultural institution. A graduate of the Academy of Fine Arts (ASP) in Krakow, Anna Sztwiertnia is interested in the subject of spirituality and rituals that foster its development. In her works, she is constructing (…)

Kamil Kukla, wystawa "Frukta i paszczęki", 2019

In my spare time I browse websites like Reddit or 4chan. This is how I satisfy my rather embarrassing hankering for content, which is, generally speaking, improper, ousted and culturally repressed. These dark corners of the web have become a fertile ground for alt-right extremists as well (…)

Richard Mosse, kadr #293 z "Przybywający", 2014-2016, instalacja wideo, dzięki uprzejmości artysty i Jack Shainman Gallery, Nowy Jork

For a number of years, Europe has been experiencing its greatest refugee crisis since World War II. Those currently classified as refugees are people who have fled their home country due to political, ethnic, religious or gender persecution. Going back often equals death. The greatest numbers (…)

IKONKA WPISU ARTYSCI_Obszar roboczy 1 kopia 2

Currently, the Bunkier Sztuki Collection is comprised of 400 works by dozens of Polish and foreign artists. The history of the Collection dates back to the opening of the Gallery in the mid-1960s. As a member institution within the network of Bureaus of Art Exhibitions, the (…)

28.06 - 28.07.2019

KRAKOW ARTISTIC MEETINGS 2019 – DIALOGUES. PAINTING SCULPTURE DRAWING   ZPAP_ASP 28.06 – 28.07.2019 opening: 28.06.2019, at 5 pm Curators: Joanna Warchoł (painting), Maria Moroz (sculpture) In Memory of the Artists of Independent Poland 28.06 – 28.07.2019 opening: 28.06.2019, at 5 pm Curators: Zbigniew (…)

CADA, NO+, 1983

  This exhibition was inspired by an intuitive insight into the history of Latin American literature, its real and magical narrative and by the total artists whose fates are etched into it. It is intended as a visual and poetic story spun by contemporary creators, (…)

ikonka_małe otwarcie mfk

Nowadays, perhaps more than ever, our relation to what we produce, eat, and ingest has become increasingly politicised. Food recipes and diet trends have turned into moral status claims, badges of political affiliation, even hopes for redemption. From advertising billboards, cooking blogs, and mouth-watering Instagram pics (…)