Thursday, October 24th, 2019, 6 pm

We invite you to the exhibition opening of the @Sufferosa as part of the Patchlab 2019 Digital Art Festival on Thursday, October 24 at 6 p.m. @Sufferosa by The Kissinger Twins is the world’s first interactive film designed for Instagram, which falls under the interactive storytelling (…)


The theme of the 8th edition is REALITIES. Parallelly to the increasingly polarised reality and climate hazards, we create our digital worlds. What they are and what functions they perform will be explored during the festival. In Bunkier Sztuki you will see the world’s first interactive (…)

1_Kamil Kukla, 16DRP
Saturday, October 19, 2019, 12 p.m.

Bunkier Sztuki invites you to a curatorial guided tour of the exhibition of Kamil Kukla “Fruits and Maws. Painting, sculpture, music”. Kamil Kukla about his exhibition: “I feel drawn to kinks and quirks that exist in the cultural periphery, curated and illustrated by unknown amateur artists. (…)

Richard Mosse, "Incoming" #88, 2014-2016, video installation, courtesy of the artist and Jack Shainman Gallery, New York
Saturday, October 5, 2019, 5 p.m.

We have the pleasure of inviting you to the meeting with the Irish artist Richard Mosse on Saturday, October 5, 2019, at 5 p.m. The artist’s exhibition, “Przybywający” | “Incoming,” is on display at the Bunkier Sztuki Contemporary Art Gallery from the 26th of September  through (…)


On 25th September (Wednesday) at 6 pm we would like to invite you to the opening of the following exhibitions: Richard Mosse, „Incoming” Kamil Kukla, „Fruits and Maws. Painting, sculpture, music” Anna Sztwiertnia, „Sanctuary”   Free entry to the opening.      


To mark the occasion of the 150th anniversary of Stanisław Wyspiański’s birth, a one-day only presentation of a new temporary project by Roland Wirtz will take place in the artist’s former workshop, the so-called Sapphire studio, where Wyspiański created his famous series of landscape paintings View of (…)

8.12.2018 (Saturday), 6 p.m.

On the heels of a long period of isolation, alongside the trials and tribulations caused by the restoration of independence, in the late 1990s and the first decade of the 21st century Central Eastern European art rapidly ran the gamut of tensions and upheavals characteristic (…)